• Infrastructure Solidarity. Femke Snelting. Ardeth #08 Fall 2020: Burnout (2021). [EN]

• Daphne Dragona, Commoning the Commons: Revisiting the Role of Art in Times of Crisis and Ines Kleesattel, Situated Aesthetics for Relational Critique. On Messy Entanglements from Maintenance Art to Feminist Server Art. In: Aesthetics of the Commons Edited by Cornelia Sollfrank, Felix Stalder, and Shusha Niederberger, Diaphanes, 2020

• OPEN SCORES,How To Program the Commons: exhibition catalogue, 2020 [EN]

• Quand l’Homme et la machine se révèlent par l’art : récit numérico-poétique d’une rencontre. Interview with An Mertens on Algolit, 2018 [FR]

• Various anonymous authors, Interview with Etherbox, Machine Research, a peer reviewed newspaper, Volume 6, 2017 [EN]
  See issue Machine Research here

• Catherine Lenoble, Peggy, mobilier open source en vitrine, Makery le média de tous les labs, online magazine, 2017 [FR]

• Annelies Thoelen, Constant: Gezamenlijke kennis onwikkelen door ervaringen met elkaar te delen, in: Kwintessens - nieuwe urgenties, Design Vlaanderen, 2016 [NL]

• Katia Truijen, Femke Snelting, Listeners in the room, in: Volume 2016 #3 [EN]
  Katia Truijen. (2016). Listeners in the room. In: Volume Magazine

• Geoff Cox, Nicolas Malevé, Michael Murtaugh, Archiving the Data-body: human and nonhuman agency in the documents of Kurenniemi, in: Writing and unwriting (media) art history, Jasia Krysa and Jussi Parikka (eds), MIT Press, 2015 [EN]

• Interview with Alessandro Ludovico (An Mertens, Femke Snelting), in: Hacktivism, Neural 52, 2015 [EN]

• “Infect and be infected” The Belgian non-profit organisation Constant as a textbook example of open Net culture. Yvonne Volkart, Springerinn Heft 3/2014. [DE]

For a catalogue of publications by Constant, see: Books with an attitude.