October 2017 - September 2018

  • October
  • This seminar was the first activity of the European project Iterations (2017 - 2020). It was organised and hosted by Hangar in Barcelona.
    The objective of the seminar was to create a framework of common ethics for the project Iterations. For doing so we worked together with practitioners (...)

  • November
  • In the framework of the exhibition The Materiality of the Invisible, Femke has been invited together with Eyal Weizman to dig deeper into the topic of the relationship of objects – and their devised narratives – to the body and social, political, technological or cultural power-structures, a (...)

  • In the framework of Saison Numérique the Maison du Livre opens its space for Algolit during three days in a row. The group presents lectures, workshops and a small exhibition about the narrative perspective of machine learning models. These selflearning algorithms are based on algebra and (...)

  • In the framework of Algoliterary Encounters, we will be hosting two lectures on Friday 10 November. Generative Models and the Digital Humanities: Towards Synthetic Literature, by Mike Kestemont
    Mike Kestemont is assistant professor in the department of literature at the University of Antwerp (...)

  • In the framework of Algoliterary Encounters Nicolas Malevé proposes a workshop on computer vision. Language, words, writing, descriptions and formulations are intimately linked to the way the millions of images on the internet are organised. Over the years, algorithmic techniques have evolved (...)

  • ’A Sentiment Thermometer’ is one of the installations in the exhibition of Algoliterary Encounters. It will be the starting point for the workshop.
    It asks questions to commonly used language models based on machine learning, like GloVe and word2vec. Using part of the Internet as training (...)

  • RECLAIMING THE CITY
    Redelijk Eigenzinnig / Reason and Engage (Vrije Universiteit Brussel) is an interdisciplinary course for students and a series of lectures and activities open to all. The third edition of Redelijk Eigenzinnig / Reason and Engage (VUB) with the title: RECLAIMING THE CITY (...)

  • RECLAIMING THE CITY
    Redelijk Eigenzinnig / Reason and Engage (Vrije Universiteit Brussel) is an interdisciplinary course for students and a series of lectures and activities open to all. The third edition of Redelijk Eigenzinnig / Reason and Engage (VUB) with the title: RECLAIMING THE CITY (...)

  • RECLAIMING THE CITY
    Redelijk Eigenzinnig / Reason and Engage (Vrije Universiteit Brussel) is an interdisciplinary course for students and a series of lectures and activities open to all. The third edition of Redelijk Eigenzinnig / Reason and Engage (VUB) with the title: RECLAIMING THE CITY (...)

  • What norms are shaped through 3D technologies? Who invented those three "dimensions" in the first place and why to stick with them as "true"? Can tools produce realities and presences and if so: what possible bodies do they activate?
    With Phenomenal 3D. Possible Bodies turns to the modern (...)

  • With a Model for a Politician, Gijs de Heij researches the role of language and image profiles in politics and their ability to influence our judgement. Constant will host The Weekly Address in its window, a device that employs speech recognition and machine learning to analyse patterns in a (...)

  • December
  • This evening is organised in the framework of the Constant worksession Transmarcations that takes place simultaneously in De Beursschouwburg. Speakers A. Alexander Antonopoulos and Nishat Awan approach politics of locations and bodies, representations of biological, biographical and geographic (...)

  • Meeting point: Grand Hall

  • Constant_V is a series of installations that usually take place in the window of Constant, rue du Fort 5, in Saint-Gilles. Constant_V prefers showing work in progress, highlighting the conceptual, technical and collaborative processes part of creating an artwork. The installations are made (...)

  • Constant_V is a series of installations that usually take place in the window of Constant, rue du Fort 5, in Saint-Gilles. Constant_V prefers showing work in progress, highlighting the conceptual, technical and collaborative processes part of creating an artwork. The installations are made (...)

  • Constant_V is a series of installations that usually take place in the window of Constant, rue du Fort 5, in Saint-Gilles. Constant_V prefers showing work in progress, highlighting the conceptual, technical and collaborative processes part of creating an artwork. The installations are made (...)

  • OLA is the TLA for the Parisian organisation Outils Libres Alternatifs (Alternative Free Tools). They will host a workshop with An Mertens on using Python code for literary creation.
    A line of code is like an action of a recipe. One prepares an ingredient, applies the aciton and the (...)

  • January 2018
  • From January to April 2018, Femke curates the research centre at a.pass, a programme for advanced performance and scenography studies in Brussels.
    As part of this, she proposes five Monday Readings + an additional Saturday that bring habitual tool-situations apparent in a.pass in (...)

  • In the context of the series Close Encounters, Nicolas Malevé, Femke Snelting and a.pass researcher Pierre Rubio will discuss the long history of Active Archives. Active Archives started in 2006 as a Constant project concerned with the digital archiving and publishing practices of cultural (...)

  • February
  • From January to April 2018, Femke curates the research centre at a.pass, a programme for advanced performance and scenography studies in Brussels.
    As part of this, she proposes five Monday Readings + an additional Saturday that bring habitual tool-situations apparent in a.pass in (...)

  • The first Algolit session of 2018 welcomes Nicolas Malevé, with the second part of a workshop he organised in the framework of the Algoliterary Encounters in November 2017 in Maison du Livre in Brussels.
    The morning from 10h till 12:30h will be open for participants who were not present at (...)

  • In this workshop we write loveletters using the material from the archive developed for the installation: the weekly video addresses by Barack Obama, cut to precise clips of words and small sentences. We start with a quick exploration of the the software, algorithms and interfaces used to (...)

  • The lifecycles of different species are linked via electronic circuits with limited lifespan: accessories that measure biorhythms or monitor the growth-rate of specimens; interactive medical implants, networked pacemakers or wireless defibrillators are an everyday reality. As minerals, plants, (...)

  • From January to April 2018, Femke curates the research centre at a.pass, a programme for advanced performance and scenography studies in Brussels.
    As part of this, she proposes five Monday Readings + an additional Saturday that bring habitual tool-situations apparent in a.pass in (...)

  • March
  • Algolit, the workgroup around FLOSS literature and code, will organise a meeting on datasets. Based on the Algoliterary Encounters of November 2017, we will present one or more algorithmic recipes to explore as an algoliterary writing exercise.
    There is no need for programming knowledge, but (...)

  • What does a feminism that has adapted to technological mediation, abstraction, the virtual, and complexity look like? And what are the new forms of occupying, segregating and contesting space that automation can facilitate? Femke participates in a debate organised by the Royal Academy, London (...)

  • TRANS // BORDER takes the work of Nathalie Magnan as its point of departure and looks at the relevance of her work through the creations and research of a number of artists, scientists, (h)acktivists and students who are continuing to cultivate the territories she was exploring.
    As a (...)

  • Algolit, the workgroup around FLOSS literature and code, organises a meeting in Rotterdam around word embeddings. Word embeddings are an algorithmic method by which a machine learns language by looking at the contexts of words in large datasets. We will start the day by going step-by-step (...)

  • From January to April 2018, Femke curates the research centre at a.pass, a programme for advanced performance and scenography studies in Brussels.
    As part of this, she proposes five Monday Readings + an additional Saturday that bring habitual tool-situations apparent in a.pass in (...)

  • Catherine Lenoble and An Mertens present Algolit and their activities during this study day at La Cambre.

  • MENSES ANTIDOTE, by Isabel Burr Raty, is a Totem, whose hybrid nature intertwines an invigorating melting genital substance with an "electronic DIY nervous system", programmed to manufacture a cure-tonic that Isabel drinks. In this installation the visitors are invited to interact with the (...)

  • April
  • Every year Constant commissions another designer or design collective using Free, Libre and Open Source tools, to work on the two-monthly flyers for Constant_V.
    In 2017, we invited Ecran Papier, a Brussels-based design collective.
    For every new edition of Constant_V, Florence Grosse, (...)

  • An Mertens will give a lecture and host a workshop at l’Ecole Supérieure d’Arts et Design de St Etienne on the use of the Python programming language for literary creation.
    A line of code is like an action of a recipe. One prepares an ingredient, applies the action and the ingredient will be (...)

  • Workshop Oulipo in EADSE, St Etienne, France

  • Algolit, the workgroup around FLOSS literature and code, will organise a meeting on word embeddings. A few Algolit members will present physical scores that we try to play out, in order to fully understand one of the techniques used in machine learning to turn text into numbers and make the (...)

  • An Mertens will speak about her experience with automated processes as part of literary creation, in the framework of the workshop ’Chatbots as a poetic tool’, organised by poet Maartje Smits in collaboration with Botsquad, Perdu and Hackers & Designers. The presentation is open for public.

  • From January to April 2018, Femke curates the research centre at a.pass, a programme for advanced performance and scenography studies in Brussels.
    As part of this, she proposes five Monday Readings + an additional Saturday that bring habitual tool-situations apparent in a.pass in (...)

  • Trasformatorio was a temporary laboratory that took place in Sicily between April 20th to May 1st, 2018. It was organised by Dyne.org in collaboration with the town Giampilieri in Italy.
    Trasformatorio was the first residency in the framework of the Iterations project, a collaboration (...)

  • With an on-line presentation, Femke contributes to What is the archive?, a yearly laboratory organized by Arquivo Municipal de Lisboa, Videoteca. This three day meeting proposes to examine the current destabilization of the concept and practices of Archive namely due to deep technological (...)

  • bolwerK, combines in the project Crystelling parascientific history, anthropology, and technology to familiarize ourselves to the electromagnetic spectrum and to how radio and farming metaphors intertwine.
    Marthe van Dessel and some other artists from the bolwerK galaxy will run an open lab (...)

  • The Menses Antidote electronic totem had its opening on the 31st of March at Constant and its running an ongoing exhibition for one moon cycle - from full moon to full moon - until the 30th of April 2018. You are welcome to pass by any time, as it stands looking into the street passers, and (...)

  • May
  • Warp and weft are terms for the two basic components used in weaving to turn thread or yarn into fabric. Inspired by Constant’s rich history of events and their diverse on-line manifestations, Constant is reweaving its on-line presence.
    As a way to narrate in-between concerns, projects, (...)

  • Algolit, the workgroup around FLOSS literature and code, organises a meeting on term frequency–inverse document frequency (tf-idf), a numerical statistic that reflects how important a word is to a document in a collection or corpus. It is often used as a weighting factor in searches of (...)

  • Every year on January 1st, copyright expires on thousands of works that subsequently enter the Public Domain. In Belgium, copyright protection lasts 70 years after the death of the author and consequently in 2018, the works of authors who died in 1947 will be released.
    This year we welcome (...)

  • Close Encounters is a series of presentations and public conversations organized by the a.pass Research Centre. These informal events are designed to take the time to meet, listen and evaluate an idea, a project, a research, or a specific point in a research trajectory. What to study? What to (...)

  • Plus-Tôt Te Laat occupies Constant’s window with various works printed in risograph, that are inspired by writers who died in 1947 and whose works are in the public domain in 2018.
    This installation is a re-mix of the vegetal Art Deco style of the Belgian Victor Horta, and the 9th art of (...)

  • On Friday 17 Frifek of the year Zek, a qualifier Demolineutron reduces the Large Zone of Zendium the size of a vibratory pudding, which has dramatic consequences for the lovers Xavan and Jaluka.
    This comic by Peter Westenberg is a remix of paintings and drawings by Leon Spilliaert. The (...)

  • The installation Wonderwoman meets Horta created by Plus-Tôt Te Laat in the window of Constant, will be part of the weekends of the Parcours d’artistes St-Gilles 2018. Anyone interested in author rights, public domain and the possibilities of artistic creation when sources become a public (...)

  • June
  • The installation Wonderwoman meets Horta created by Plus-Tôt Te Laat in the window of Constant, will be part of the weekends of the Parcours d’artistes St-Gilles 2018. Anyone interested in author rights, public domain and the possibilities of artistic creation when sources become a public (...)

  • In machine learning Naive Bayes is a simple probabilistic classifier that is widely applied for spam filtering and sentiment analysis. During this session we first look at its history, its application in daily life decisions, as well as how this classifier can be used in Python. Next, we will (...)

  • Festive launch of XPPL: Xperimental Potential Pirate Library, Xperimental Private-Public Liaison, Xperimental Pretentious Performative Labor, Xperimental Platform for Potential Legality, Xperimental Post-Public Library.
    "XPPL is a space for potential pirate librarianship aimed at people who (...)

  • From January to April 2018, Femke curates the research centre at a.pass, a programme for advanced performance and scenography studies in Brussels.
    As part of this, she proposes five Monday Readings + an additional Saturday that bring habitual tool-situations apparent in a.pass in (...)

  • Life limited electronics link the life cycle of humans, animals and machines; growing older biologically intersects with the lifespan of pacemakers and defibrillators. How do ageing bodies and their technological partners keep each other company, now and in the future?
    Film programme within (...)

  • How do ageing bodies keep each other and their technological partners company? What account do they give of their generational specificities? Can we develop ecosystems that transcend time and scale in solidarity? At the closing of the worksession Ageing companions / Geprogrammeerde veroudering (...)

  • July
  • Somatopologies screens: from sunset to sunrise!
    For the summer edition of Constant_V, Possible Bodies feat. Spec presents Somatopologies, materials for a movie-in-the-making. In the vitrine you will find 3D-renderings of diverse densities, wondering about the regimes of truth that converge (...)

  • Possible Bodies (Jara Rocha, Femke Snelting) will contribute to the conference How to relate:
    "How to relate? To each other, to something? Questions about relations are relevant for a knowledge in the arts. For just which knowledge can be produced depends on the success or failure of (...)

  • Alchorisma alludes to the relationships between algorithms, charisma, rhythm, alchemy and karma. Alchorisma is a Constant worksession which looks at integrating cosmogenetic views with the charisma surrounding technology. We look at ways to infect existing algorithmic models with positions (...)

  • August
  • Constant will be closed from 1 till 31 August.
    We wish you all a wonderful Summer and look forward to meeting, exchanging, collaborating again from September onwards, with renewed energies!

  • September
  • Live from WTC25 and on-line at http://observatory.constantvzw.org/stream
    Door closes at 18:30. Broadcast: 19:00-20:30
    The Techno-Galactic Guide to Software Observation gathers methods from the Techno-Galactic Software Observatory, a worksession that took place in June 2017. It was (...)

  • Networks Of One’s Own is a periodic para-nodal publication that is itself collectively written in a network. Each of the episodes is thought of as the ’release’ of a software stack, contextualised in its specific practice. The series aims to document a set of tools, experiences, ways of (...)

  • Opening: Thursday 20/09 @ 18:00
    What future for digital collective artistic work? How to stimulate sustainable art practices that consciously engage with network technology, collectivity, communality and difference?
    Iterations is an artistic relay which traverses different countries. (...)

  • During this information session we explain methods and contents for the workshop that will happen in Mundaneum in Mons from 8 to 12 October 2018 (10-18h), organised by the teachers of Digital Arts ARTS² and artists from Algolit, Constant’s research group on free code and text. The workshop is (...)

  • In machine learning Naive Bayes is a simple probabilistic classifier that is widely applied for spam filtering and sentiment analysis. Based on the documentation of the previous session, we now use this technique as a recipe for potential literary creation - that can be physical, computational (...)

  • From October 1 until the end of 2018, Constant will share its studio on the 25th floor of the WTC building with Mia Melvær. Mia is a Norwegian visual artist working at the intersection of sculpture, technology and ways of archiving. Often in collaboration with the Brussels-based collective (...)