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Quantify Wholeheartedly Quantify With Others
16 juin, par natachaProgramme
QW [qw.lesoiseaux.io] présenté à ConstantV [http://constantvzw.org/site/QUANTIF...] - Programme
Belgica-Belgika
3 janvier 2015, par OSPAlfphabet, Belgica-Belgika, OSP-DIN, Wdroge
Stroke fonts with no contrast and capital letters only based on diverse pseudo-generic elements for multi-usages.
Brick white squared cover
Augustijnerstraat, Jette, Brussels Contemporary solution to common problem: making sure filth or rain will not enter the cellar through the traditional ventilation grid. Here’s an equally beautiful, more Bric-à-brac style solution: http://westenberg.constantvzw.org/?p=1097

Open Source Video

editing, archiving, sharing videofiles

Festival Mondial des Cinémas Sauvages
APPEL A FILMS SAUVAGES ! jusqu’au 30 mars 2017 Inscriptions des films en ligne : http://www.festival-cinemas-sauvages.net/fr/formulaire/ Le Festival Mondial des Cinémas Sauvages veut montrer des films libres dans leurs manières de se fabriquer, libres dans leurs manières d’être diffusés. Pas de (...)
Summarizing an image database into a single file, its image and its sound : Constant
13 juin, par antjeUncategorized, art, creation
Yesterday, the 25th floor of WTC, where I have my workshop next to Constant’s, was full of joy. The neighbors were having a TECHNO-GALACTIC WALK_IN CLINIC. One could walk in with all kinds of software and file-related problems. You were then taken into the clinic. Into file therapy. I entered an (...)
HTML sauce cocktail, sauce à part
15 février, par OSPNews
PREFACE Ce texte a été initialement écrit pour la revue Back Office. Pour des raisons de format, il n’y sera pas publié, mais nous sommes heureux de le partager ici avec vous dans sa version longue. HTML2PRINT SANS SAUCE Depuis sa création en 2006, Open Source Publishing dessine des mises en page et code avec des logiciels […]
Newton Diaries
28 novembre 2012, par michael
In 1993, Apple released the Newton MessagePad, the first so-called “Personal Digital Assistant”. A kind of forerunner to today’s smart/i phones, the device worked as a kind of virtual notepad, allowing free-form entry of both text and drawing mixed together … Continue reading (...)
A Pre-emptive History of the Google Cultural Institute
5 décembre 2016, par Submondo2
← Older revision Revision as of 22:44, 5 December 2016 Line 46: Line 46: The dematerialisation of public collections using infrastructure and services bankrolled by private actors like the GCI needs to be questioned and analyzed further in the context of heterotopic institutions, to understand (...)
Male-Young adult, Attention time : 484 out of 984, Smile : 0 / 1.8… Glasses : Yes
11 mai, par Michael MurtaughUncategorized
From Twitter, a “crashed” advertisement reveals the kinds of data being recorded. Male-Young adult, Attention time: 484 out of 984, Smile: 0 / 1.8…Glasses: Yes It’s interesting to note the kind of information being interpreted and recorded: gender, age, “attention”, degree of smiling, the presence (...)

Routes+Routines

A resource book on public presence, representation, relations, routes and routines.

Koto, angisa, odo interview
19 mars, par peteraudio, Meta language, Suriname
Interview met /with Christine van Russel-Henar Christine van Russel-Henar is the driving force behind the Koto museum in Paramaribo. I spoke with her about the way language, oral culture and traditional Surinamese wear are connected. The interview is in Dutch. Below you will find a (...)

Towards

Towards a subjective collective cartography

40 more maps that explain the world
9 février 2014, par Laurence JenardBlog
Maps seemed to be everywhere in 2013, a trend I like to think we encouraged along with August's 40 maps that explain the world. Maps can be a remarkably powerful tool for understanding the world and how it works, but they show only what you ask them to. You might consider this, then, a (...)

Paramoulipist

WORK IN PROGRESS : a tool for sharing literature and digital narratives

A story from the Algorithmic Forest
This image gives an overview of existing techniques for text analysis. By drawing them as a forest, it becomes clear how their application resembles the ecological succession of a forest. In the Brussels process of Forêt de Soignes/Zoniënwoud, the forest came to existence thanks to pioneer (...)
wheel in a wheel
16 avril 2014, par concentriccityUncategorized
A soundscape composition / A landscape video choreography. Experiencing dialogue with the environment passing through by cycling. Relying on our perception and synchronizing with the flow....
The Clouds are Not an Option
4 janvier, par Femke Snelting4. And more...
Data-driven systems do not arrive from nowhere, into the world like magic. Like all technologies their development and deployment follows particular historical trajectories and continuities which are influenced by larger forces. In contrast, most of the research on 'social impact' has drawn (...)

Champagne

Nurse’s adventures in sound and sight

SPECIMEN
3 mai, par Administrator



Hygiene: cotton patchwork, digital print & silkscreen, 145 x 750 cm – 2017

RADIO BOSNIE #20 - SPECIAL REMIX
Avec Jérémie Boyard, Digi†al Carnaval et Colin Ponthot du projet Bumperbreak qui ont remixé en musique les mots de la base de données de Parlez-vous Saint-Gillois ? pour le festival Supermouche-Supervlieg. Réécoutez: Radio Bosnie #20 - REMIX http://bumperbreak.com/ (...)

e-traces > informations

Deze site wordt in het kader van het project e-traces verwezenlijkt. Het presenteert een geheel van geoogste artikelen over verschillende plaatsen van informatie betreffende de beweging die naar (...)

Snapchat : la nouvelle fonctionnalité de géolocalisation soulève des inquiétudes
L'application, très populaire auprès des adolescents, leur permet désormais de voir où se situent leurs amis. Un service qui fait réagir les associations de protection de l'enfance. « Ça choque que moi ? » Sur les réseaux sociaux, de nombreux internautes ont fait part, ces derniers jours, de leurs (...)
Objects in Common Worksession – RAW and unprocessed
12 avril 2016, par admin
In collaboration with Medialab Prado Constant organised the worksession ’Objects in Common’ as the final event in a series that started in 2015 with ’Funcionamientos: Objects in Common and Diverse Bodies’ followed by ’Interactivos? Material Cultures in the digital age’ and ’Grigri Pixel: makers and (...)